Monthly Archives: October 2010

Cuban Artists Discuss Queloides Exhibit at CLACS Artist Roundtable

elio rodriguez - car - QueloidesQueloides is an art exhibition that investigates race and racism in contemporary Cuba. Cuban artists, including musicians, writers, painters, performers, and academics, have been denouncing the persistence of racial discrimination in Cuban socialist society since the early 1990s. Queloides, curated by Alejandro de la Fuente and Elio Rodriguez, brings together artists whose work actively confronts racism in contemporary Cuba.

Queloides is currently on exhibition at the Mattress Factory Museum in Pittsburgh, PA. On October 22nd, Queloides artists Marta María Pérez Bravo, Elio Rodríguez, Armando Mariño, and René Peña participated in a CLACS sponsored artist roundtable at NYU. Ana María Dopico, CLACS affiliated faculty and Associate Professor in NYU’s Spanish and Portuguese department, moderated the event.

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Francisco Panizza: ‘Mas populista será tu abuela’

FP-blog.jpg Dr. Francisco Panizza, a Senior Lecturer at the London School of Economics and Political Science, argues that Latin America’s political elite have used Populism to appeal to historically under-served and excluded communities. In his presentation at New York University on October 12, Panizza asserted that the term Populism has been over-used, has both positive and negative connotations, and has even become an insult in some circles.

Panizza defined Populism as the creation of a unified and unifying identity, incorporating a previously oppressed or marginalized group of people into a participatory democracy. He went on to detail four dimensions of Populism that leaders may employ as part of a political strategy, including the rhetorical, the representational, the normative and the political. Panizza describes the rhetorical and representational dimensions as what we most often see in contemporary Populist Latin American leaders, where modes of speech, dress and behaviors give the impression of the Populist leader as a demagogical figure. The normative and political dimensions are used to appeal to dissatisfied citizens who have experienced a fundamental inequity in society and are seeking a way to participate in democracy.

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New Documentary Investigates Gentrification in Spanish Harlem

Harlem.gif“El Barrio,” the predominantly Latino neighborhood in East Harlem, has long been a cultural center for the New York Latino community. Latinos began emigrating to El Barrio in the 1920s, with a large wave of Puerto Ricans immigrants arriving after World War II. In addition to its cultural heritage, El Barrio has also overcome significant struggles with poverty, and drug and gang activity. Recently, many Barrio residents complain that real estate development in the neighborhood is leading to gentrification, and a loss of Latino cultural heritage in this historic neighborhood.

On October 5th, 2010 the Museum of the City of New York presented a film series titled, “In Danger of Extinction,” which showcased two films dealing with gentrification in New York City. “The Lower East Side: An Endangered Place” by Robert Weber, focuses on the gentrification of the Lower East Side, one of the oldest neighborhoods in New York City that has long been home to a diverse community of working-class immigrants. “Whose Barrio?” investigates gentrification in El Barrio, and was produced by Newsday journalists Ed Morales and Laura Rivera. Laura Rivera is also a graduate of NYU’s Arthur L. Carter Journalism Institute. In the film, two Barrio residents—Jose Rivera and James Garcia—reveal starkly opposing views on gentrification.

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Evo Morales Proclaims the Rights of Mother Earth

%C2%A9Evo%20Morales-1_400.jpgBolivian President Evo Morales spoke to a diverse crowd of supporters at the Unitarian Universalist Community Church of New York on Tuesday, September 21st. President Morales’s talk was titled: “Nature is not for sale: The Rights of Mother Earth.” When talking with attendees in a line that wrapped around the block, I learned that their reasons for attending were as diverse as their backgrounds. Danni Gee from Philadelphia, PA—who works for New York City’s Central Park—knew nothing about Evo Morales, but had decided to come at the behest of a friend. Sam, who asked to remain anonymous, and lives “somewhere in Manhattan,” said he was a longtime supporter and had a friend who was “tied in with a Bolivian ornithologist.” Jeremiah Hosea, a native New Yorker and professional musician, said, “Evo Morales is the most exciting head of state in the world.”

Evo Morales, best known for his historic ascendance to the presidency as the first indigenous President of Bolivia, regards capitalism as the primary cause of environmental decline and climate change. Unlike most heads of state, President Morales—a native Aymara Indian—openly references his indigenous spiritual beliefs when discussing environmental policy.

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