Recap – Boyhood and Masculinity in Contemporary Guyanese Film (2/3)

On February 3rd, CLACS began its Spring programing with the event Boyhood and Masculinity in Contemporary Guyanese Film. The event co-sponsored by the Department of Art & Public Policy at NYU’s Tisch School of the Arts, featured screenings of Gavin Ramoutar’s short film, Antiman, as well as Mason Richards’ short film The Seawall.

In Ramoutar’s Antiman, an introverted young teen navigates the pressure by his father to become a cricket player. While he must prove his masculinity, he privately reconciles his love for an older boy while living in a homophobic village in a Guyanese countryside. In Richards’ The Seawall, ten year-old Malachi prepares to leave the capital city of Georgetown, Guyana and his beloved grandmother for the United States. As he wrestles with the impending rupture from his motherland, the film examines how migration, felt and lived through a child’s experiences, fragments a family. 

 

The screenings were followed by an insightful conversation on the issues of boyhood, masculinity, and migration, within the Guyanese and Caribbean diaspora with Mason and Ramoutar, and Dr. Sheril Antonio who is Associate Arts Professor in the department of Art and Public Policy and the Senior Associate Dean for Strategic Initiatives at NYU’s Tisch School of the Arts. The event was organized in partnership with Grace Aneiza Ali, who also moderated the conversation.

Click here to Watch a video recap of this event.

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