Tag Archives: Carnival

MAS(querade)

Posted by Claretta Mills – MA Candidate at NYU CLACS

To play mas, in regards to carnival, means to take part in carnival festivities and activities. Masquerades are one group of performers prevalent in carnival who play mas. Traditional masqueraders are a vital and signature part of carnivals throughout the Caribbean as they simplify various significant characters in Caribbean history. “Dancing the Masquerade,” is something locals and visitors alike look forward to witnessing during each country’s respective carnival. 

Masqueraders mid-air during their performance.

Masqueraders perform a series of traditional dance moves that often consist of six dances which include Wild Mas, the Waltz, Fine, Boillola, Jig, and Quadrille. The dance movements are said to have originated in West Africa by the Yoruba people. The incorporation of these dance movements is symbolic of the Afro-centricity as it relates to the Caribbean and more explicitly, carnival. 

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The National Seminar on Copyright in the Carnival Industry

Unfortunately I was not allowed to take photos inside the seminar room, but here is a photo of the programme

Unfortunately I was not allowed to take photos inside the seminar room, but here is a photo of the programme

Yesterday I attended the National Seminar on Copyright in the Carnival Industry in Port of Spain, Trinidad. Honestly I didn’t know what to expect considering that the government of Trinidad and Tobago has not made any headway in negotiations with the World Intellectual Property Organization to recognize the terminology works of mas, which encompasses carnival arts, performances and song, as Traditional Cultural Expressions. However, yesterday’s seminar not only demonstrated how important the protection of works of mas is to Trinidadians, regardless of the lack of international support, but also conveying the ritualization of bureaucracy.
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