Tag Archives: photography

Warisata en Imágenes: The Right to an Emancipatory Education

 

09-19 Event Picture (Warista en Imagens).JPG

¡Paulo Freire Vive!

The Right to an Emancipatory Education, at Risk in Latin America and the Caribbean

Discussion and photographic exposition of Warisata: the experience of the indigenous “escuela núcleo” in Bolivia.

September 19, 2017

The Ayllu School of Warisata in Bolivia, despite its short operative life (1931-1940), has been one of the most significant educational experiences in Latin America and the Caribbean. Transmitting the principles of freedom, solidarity, and reciprocity, it reevaluated the Bolivian cultural identity and sustainable communal production in harmony with mother earth.

The experience and exhibition of Warisata en Imágenes discussed the current Latin American and Caribbean context and the challenging task of creating an emancipatory education. Moreover, the conversation was geared towards the philosophical motivations—and the ends—of education as a tool for personal growth and social progress.

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An Update: Stories of El Salvador

We have continued developing the exhibition, Stories of El Salvador: The Civil War and Its Aftermath over the course of the Fall semester. What had started as a small project to showcase the Mujeres de la Guerra Project has grown into an exhibition that will have robust collateral programming that will include a film series, symposia, and a partnership with an honors undergraduate seminar.

We have started the selection process of photos from the NACLA photographic archive that will be included in the exhibit. As we delve into the archive we have started noticing themes we will want the exhibition to highlight including civil rights abuses, U.S. involvement in the conflict, the role of religion, the refugee camps, women in leadership roles, and the resilience of the human spirit.

One of our newest collaborations is with Dr. Pamela Calla and her Spring 2014 undergraduate seminar, Women in Social Movements in Latin America. This partnership will provide freshman honors students with the opportunity to explore the role of Salvadoran women during the Civil War by working with us as we actively build the exhibition.

We have begun the exhibition design phase to conceptualize the layout and are excited to continue developing this project next semester. The exhibition will run from April 7, 2014 to May 4, 2014 at the Stoval Gallery at New York University’s Kimmel Center.

Exhibition Design

Posted by Raúl Guzmán and Camilla Querin – MA Candidates at CLACS / Museum Studies

Stories of El Salvador: The Civil War and Its Aftermath

Photo by Lyn McCraken

Photo by Lyn McCraken

Next April the Graduate Association of Latin American Studies (GALAS) at NYU will open an exhibition entitled Stories of El Salvador: The Civil War and Its Aftermath. Raúl Guzmán and Camilla Querin, two students of the joint degree Master’s program in Latin American and Caribbean Studies and Museum Studies will be curating the exhibition that will be exhibited at the Stovall Gallery in the Kimmel Center.

The exhibition is the result of collaboration between GALAS, CLACS, NACLA, Museum Studies, the Mujeres de la Guerra project and the Stovall Gallery. The photo exhibition will focus on the Civil War in El Salvador and the role of women during and after the conflict. The exhibition will present a historical view of the Salvadoran Civil War through portrait photos, videos and oral histories of women involved in the conflict.

The intention is to educate people about the Salvadoran Civil War, about the power of women, their resilience and their organizational abilities. The aim is to tell their inspiring stories and share their hope, wisdom and dedication with the world, to make people reflect upon different forms of activism and to reach not only an NYU audience, but also the Salvadoran community in NYC, people interested in activism, feminism, community organization, photography and resilience after armed conflicts.

Posted by Raúl Guzmán and Camilla Querin – MA Candidates at CLACS / Museum Studies

Seeing Huamanga Through the Archive

Peru Photography Ayacucho Alejos CLACS NYUThis summer, I am traveling to three sites in Peru to investigate the development of the photographic technology during recent decades.  Having established that my dissertation will address the broad topic of social practices of photography in Peru, this trip is intended to help narrow the focus of my research and explore potential sites for more extended fieldwork.  I have chosen three locations, each with a rich photographic legacy.

Peru Ayacucho Photography Alejos CLACS NYUMy first stop was Huamanga (also known as Ayacucho), the capital city of the Huamanga province in the Ayacucho region of Peru.  Among the people I spoke with was Giovana Alejos, granddaughter of photographer Baldomero Alejos.  I found her in the Alejos photography store, with its own studio and laboratory, located on a side street off of the Plaza de Armas.

A photographer based in the city center of Huamanga from 1924-1976, Baldomero accumulated an archive of over 60,000 images.  The subject matter of the photos ranges from high society portraits to funeral processions, student groups, and popular festivals. Continue reading