Tag Archives: Quechua

New episode of Rimasun Podcast: Coronavirus Runasimipi Mast’arisqa

Screen Shot 2020-04-30 at 12.11.08 PM

Kay rimaymi “coronavirusmanta” mast’arin imayna ama hap’ichikunapaq ima. Julián Roca Aguilar, Perú suyumanta runasimi rimaqmi. Paymi “activista digital” nisqa imaymana rikch’aq rimanapi rimamun runasimi kawsananpaq willakamun ima llapa runasimi rimaq runakunapaq.

Este audio explica qué es el coronavirus y qué podemos hacer para evitar la transmisión. Julián Roca Aguilar es quechua hablante de Perú. El trabaja como activista digital, usando una variedad de medios de comunicación para promover el uso del idioma quechua e informando a la comunidad en su idioma originario.

This podcast explains what coronavirus is and how we can avoid spreading it. Julián Roca Aguilar is a Quechua speaker from Peru. As a digital activist, he uses a variety of media to promote the use of Quechua and to inform broader communities in his native language.

Click here to view Julián’s YouTube channel.

 

Veranopi, Peruman Risaqpuni Qhelqasaq Thesisniyta

Posted by Claretta Mills – MA Candidate at NYU CLACS

For most of the past Spring semester, I had been repeating this one particular line, especially in my Quechua class examples; “Veranopi, Peruman risaqpuni qhelqasaq thesisniyta.” This translates to, “In the summer, I am going to Peru to write my thesis.” 

Sure enough, a couple of months after consistently writing (and somewhat manifesting my destiny), I ended up in Peru during the end of June to observe performances leading up to Inti Raymi which to my surprise, included Corpus Christi processions. Additionally, I was delightfully surprised by the daily processions by local organizations, groups, and universities as they celebrated Cusco Month. 

I discovered the processions on my second-day in-country when I decided to go to San Pedro Mercado with my host.

Mercado Central de San Pedro
Mercado Central de San Pedro


Vibrantly colored produce.

The mercado was boastful of vibrant and bold colors all around with the fresh produce and meat sold by vendors encouraging you to ask them any questions you may have. After browsing the mercado, I decided to take a stroll down to Plaza de Armas which was a brisk walk that lasted less than 10 minutes. 

To my surprise, there had been a bandstand setup with seating and a bunch of onlookers and vendors watching various groups perform a variety of typical dances from different pueblos in Cusco. It was quite interesting observing both the differences and commonalities amongst the different dances while trying out some local treats from the vendors selling their treats to spectators.

Performer

During the entire duration of my trip, I couldn’t stop thinking about how fascinated I was with the immense variety of corn Peru had to offer and the different ways in which they were prepared. More specifically, I really wanted to try the huge puffed corn I saw numerous vendors carrying.

Puffed Corn Snack

I really appreciated the lessons from Professor Odi Gonzales as I was honestly able to pick up and catch on to a few sentences said in Quechua by the announcer of the festival. I ended up sitting next to an elderly man who spoke Quechua and Spanish and engaged in conversation with him as we watched the performances together. We ended up sharing the puffed corn together as we watched on.

One thing that definitely took me by surprise was how frigidly cold Cusco was, especially in the night time. During the daytime, I roamed the city in either a light parka coat or a compact bubble jacket with a sweater underneath. Now for the night time, that’s when I was really able to feel the chill, I went to bed in special socks designed for cold weather, a sweater, undergarments, and five different layers of covers. Long story short, Cusco was cold! 

¡Tupananchiskama! 

Plaza de Armas
Plaza de Armas

Feeding chickens, attending asambleas and surviving the cold in Chinchero

Posted by Colleen Connolly – MA candidate at CLACS/Global Journalism at NYU

DSC_0235
The road leading to the airport site in Chinchero.

Despite a rocky start to my trip to Peru (a lost credit card, a canceled flight, the deathly cold), I have been extremely fortunate with my research here. My first week was spent in Cusco and the next two weeks in Chinchero, a small rural town about an hour outside of Cusco. Despite its proximity to the large and vibrant city of Cusco, Chinchero could not be more different. Here, Quechua prevails over Spanish. I haven’t seen a single bar. I wake up in the morning and help my host feed the chickens, the llama and the guinea pigs. People here appear shy at first, but they are the friendliest people I’ve ever met. As a foreign reporter, I am so grateful for this.

I’m about halfway through my time in Chinchero now. Though the freezing temperatures make me want to sleep in and relax, I’m making sure to get out every day and talk to people or attend asambleas, a nearly daily occurrence here and a part of small-town life everywhere. These two weeks are my most important weeks of research and reporting. For my thesis, I’m exploring the relationship between tourism and globalization using the international airport in Chinchero as a case study. The airport is not built yet — it’s at least five years away from completion — but construction has begun, and the project is the subject of many conversations and asambleas here. I have read many articles about the airport in Chinchero, but none of them mention the local feelings of the Chincherinos, who stand to gain or lose the most. These are the people I want to populate my thesis and my story.

Continue reading

Map and territory: LIFE TRANSLATED FOR OTHERS (2)

by Santiago Barcaza S., MFA Student

Without wanting to dwell too much on certain aspects proposed by academia, I am surprised that there are two currents of thought: one that regards self-translation as an unusual phenomenon, a marginal activity and another one that supports the opposite. I will not use this space to delve into one or the other. I agree with the outstanding researcher of translation studies Julio César Santoyo, when he says:

Seen the seen, one can not help but wonder: can we continue talking about the self-translation as a phenomenon ‘rather weird’ or ´exceptional´? We are not faced with rare exceptions but before an immense corpus, increasingly of texts translated by their own creators. Far from being a ‘marginal case’, the author’s translation has a long history and is today one of the most frequent and important cultural, linguistic and literary phenomena in our global village, and certainly deserves much more attention from which has been borrowed so far“.

In fact, the first known self-translator is the jewish historian Flavius Josephus, who in 75 AD wrote in Aramaic, his mother tongue, the seven books of his first work, The War of the Jews, to later revise it and translate it to the Greek. From then until today, self-translation is a common practice. They form a group so broad and so diverse that it is impossible to list them all. However, as a sample, I quote a short selection: Fray Luis de León, Sor Juana Ines de la Cruz, Stéphane Mallarmé, Samuel Beckett, Joseph Brodsky, Vladimir Nabokov, José María Arguedas, Milan Kundera, et cetera. However, addressing the self-translation in one of these authors runs the risk of falling into exceptional particularities and the preparation of a rather monographic study. Nobody doubts the fact that these authors are interesting, but that some are paradigmatic, as to help understand or illuminate the act of self-translation – for example, of poets of indigenous origin in southern America- is perhaps another issue. So, I wonder what is really the self-translation? Why? And for what?

Continue reading

Upcoming Events November 6-11, 2017

CLACS has yet another jam-packed week of events for you to attend, engange with, reflect on, and enjoy. If you are unable to attend the event in person, check out our facebook page, because there is a good chance that there will be a live-stream. This week, events range from critically analyzing the aftermath of hurricanes Irma and Maria, celebrating Mexican music, and collaborating with Quechua speakers and students from across North America.

HURRICANE SEASON: SOVEREIGNTY & CATASTROPHE IN THE CARIBBEAN

A roundtable on the aftermath of hurricanes Irma and Maria. How have environmental and colonial histories shaped recent events? What fragile infrastructures and uncertain sovereignties have been revealed?

Monday, November 6, 2017
6:00 – 9:00 pm
King Juan Carlos I of Spain Center, Auditorium
53 Washington Square South
New York, NY 10012

More information about this event can be found here.

MOTHER TONGUES UNITED: LANGUAGE EXPO CELEBRATION OF LESS-COMMONLY TAUGHT LANGUAGES

Every year, The Center for Latin American and Caribbean Studies (CLACS) at NYU hosts “#MotherTonguesUnited”, an event tied to a movement to unite speakers of historically undervalued languages in an effort to dispel myths and stereotypes surrounding those languages. Many languages have been included in this movement, including Papiamentu, Haitian Creole, and Garífuna.

This year, CLACS is excited to be hosting a Language Fair that focuses on less-commonly taught languages! This special edition of #MotherTonguesUnited aims to celebrate the work of various language departments and centers throughout NYU while creating a community space where students can learn about and engage in these languages.

Tuesday, November 7, 2017
4:00 – 8:30 pm
King Juan Carlos I of Spain Center, Atrium
53 Washington Square South
New York, NY 10012

More information about this event can be found here.

MEXICAN MUSIC IN THE GLOBAL MARKET: EXPLORING THE CULTURAL CHALLENGES & COMMERCIAL OPPORTUNITIES

Mexico is the 2nd largest latin market right after Brazil. Yet, it shows no signs of stopping. Join us to as we discuss the impact of Mexican, and Latin music, in the global market, as we unravel the stories of some Mexican professionals in the music industry and musicians, as well as music industry professionals who deal with Latin American content. We will explore the cultural challenges and commercial opportunities that Mexican music has in the American market, and we will also discuss the evolution of Mexico’s music industry.

Wednesday, November 8, 2017
10:00 am – 4:00 pm
NYU Kimmel 405
60 Washington Sq S

More information about this event can be found here.

SOUND X COLOR: SOMOS MUCHO MAS CUBA

Yamay Mejias Hernandez, also known as “La Fina,” will discuss her career as an Afro-Cuban feminist rapper and Director of “Somos Mucho Mas.” Somos Mucho Mas is one of the only female-led hip-hop initiatives in Cuba and serves as an intersectional anti-racist and feminist platform for Afro-Cuban women. As a rapper and community organizer, in a country that claims to have solved issues with racism, La Fina presents a unique perspective as she uses hip-hop to fight for social change.

Friday, November 10, 2017
5:30 – 8:30 pm
Social and Cultural Analysis, Flex Space
20 Cooper Square, 4th Floor

More information about this event can be found here.

3RD QUECHUA STUDENT ALLIANCE MEETING

This annual event aims to promote an exchange of ideas between college students, professors, and the community at large who share an interest and passion for Quechua language and Andean culture. We are working towards creating a space for people of all ages and backgrounds to become dynamic leaders within their communities. Our goal is to foster networks of indigenous language advocates.

Saturday, November 11, 2017
10:00 am – 7:00 pm
King Juan Carlos I of Spain Center, Atrium
53 Washington Square South
New York, NY 10012

More information about this event can be found here.

Jony Hernan Prudencio Parlan Gerardo Huaracha Huarachawan Historiata Yanquemanta

Rimasun_Jony-y-Gerardo-Yanque

Gerardo Huaracha Huaracha museoyoq kan Yanque llaqtapi, Valle del Colcapi, Arequipa, Peru. Gerardoq taytan wasichakuran, ña huk pachaq iskay chunka watakunamantaña. Chay wasipi museo kaq ichaqa qayna Agosto killapi, 2016pi, hatun pachakuyuy chayta thunichiran. Kay podcastpi, grabasqa qayna Mayopi, Jony Hernan Prudencio, wayna Tuti llaqtamanta, tayta Gerardowan parlashan museonmanta.

Rimasun_Gerardo-Museo-Yanque

Tayta Gerardo takes Jony on a tour through his museum in Yanque.

Gerardo Huaracha Huaracha tiene un Museo en el Valle del Colca en Arequipa, Peru. El padre de Gerardo construyó la casa él mismo, hace más de ciento veinte años. En esta casa solía ser un museo pero el Agosto pasado, en el 2016, un terremoto la derrumbó. En este podcast, grabado en el mes de Mayo, Jony Hernan Prudencio, un joven del pueblo de Tuti, habla con el tayta Gerardo sobre el museo.

Gerardo Huaracha Huaracha has a Museum in the Town of Yanque, in the Colca Valley in Arequipa, Peru. Gerardo’s father built the house himself, more than a hundred and twenty years ago. This house used to be a Museum but last August, in 2016, an earthquake knocked it over. In this podcast, recorded in the month of May, Jony Hernan Prudencio, a young man from the town of Tuti, talks to tayta Gerardo about the museum.

New Yorkpi, Tayta Paypa Ususin ima Runasimimanta Rimashanku

rimasun quechua passing down CLACS NYU

Kay podcastpi, huk tayta paypa ususin ima runasimimanta rimashanku. Paykuna Perumanta kanku, ichaqa ña wakin watakunaña New Yorkpi tishanku. Tayta runasimita rimayta atin, ichaqa paypa ususin mana atinchu. Paykuna imaraykumanta rimashanku.

En este podcast, un padre y su hija hablan sobre su uso del idioma quechua. Son del Perú, pero ya desde hace unos años viven en Nueva York. El padre puede hablar en quechua, pero su hija no, y conversan sobre esta realidad que viven a diario.

In this podcast, a father and his daughter speak about Quechua language use in their family. They are from Peru, but have lived in New York for many years. The father can speak in Quechua, but the daughter cannot; together they reflect on this reality.

Event Re-cap: PoeTEA, Quechua & Kreyòl Showcase

This past September 13th, the Center for Latin American and Caribbean Studies celebrated a night of languages and culture. Our Quechua & Kreyòl showcase included presentations by language instructors Odi Gonzales (Quechua) and Wynnie Lamour (Haitian Creole).

Students also shared poetry and participants enjoyed a playlist curated by Haitian-American DJ Sabine Blaizin, as well as delicious food and tea. It was a wonderful coming together of poets and community and a testament to the cultural relevance of the Indigenous and Diasporic Language Consortium.

Please enjoy a video re-cap of the event below:

Welcome Back and Upcoming CLACS Events

CLACS - Washington Square Park

The Center for Latin American and Caribbean Studies (CLACS) at NYU would like to welcome back our students and faculty and wishes all our followers a happy Fall!

We kicked off the semester by enthusiastically welcoming our newest MA students at orientation. We are excited to have such a dynamic group begin a new academic year.

We would like to usher in the new semester with an amazing set of events at our center. Some of the events we have planned for the Fall include a talk with Peruvian activist Verónika Mendoza about the challenges of the Left in the new Latin American scenario; a POETEA showcase to celebrate Quechua & Kreyòl  with a night of poetry and tea; a panel presentation of the book “Kalman Silvert: Engaging Latin America, Building Democracy,” to celebrate CLACS’s founding director and the center’s 50th anniversary; and and a presentation of the Chilean fantasy series “Trilogía del Malamor.”

Stay tuned for CLACS events this fall by joining the CLACS email list, liking CLACS at NYU on Facebook, and following us on Twitter at @clacs_nyu!

Quechua/Kichwa Film Showcase on the Road

From June 17th to the 19th the Quechua/Kichwa film showcase May Sumak! (How Beautiful!) is going on the road  to Washington, D.C. The showcase is a celebration of indigenous and community filmmaking in the Quechua languages spoken throughout the Andes and by immigrants in the United States. Created in 2015 by the CLACS student-led Runasimi Outreach Committee (ROC), May Sumak! will be part of the National Museum of the American Indian’s ongoing exhibition The Great Inka Road The opening night will feature the film Killa  and Q&A with its director  Ecuadorian filmmaker Alberto Muenala. This conversation will be hosted by CLACS alum and former ROC member Charlie Uruchima. Click here for more details on the films, show times and venues.

maysumak ifle invite