Beginning My Research in Lima, Peru: Performance as a Memorialization

I came to Peru to conduct research with Grupo Cultural Yuyachkani, a popular theater group based in Lima. In fusing aesthetic and theatrical activity with collective memory, Yuyachkani’s performances, such as Rosa Cuchillo, Adíos Ayacucho, and Antígona, address issues of memory and trauma after Peru’s internal armed conflict primarily between the Peruvian government and the membersContinue reading “Beginning My Research in Lima, Peru: Performance as a Memorialization”

Theater as a Tool

I have been working closely with Augusto Boal’s “Theatre of the Oppressed” to help contextualize the importance of popular theater and its techniques with my research. In the foreword to his book, Boal writes that popular theater functions as a weapon. That is, popular theater is a tool, a “weapon of liberation” against sources ofContinue reading “Theater as a Tool”